24/41
Nothing is as it seems when an unusual one-night stand turns into a serial killer’s brutal series of murders. Known primarily for his acting roles, this film marks Giovanni Ribisi’s debut as a feature film director of photography. Despite the empathy of the policewomen for the woman, the fact that none of the officers sensed a gun in her jacket while comforting her and carrying her to the car. The Lady: Love… doesn’t have to be something that unfolds. The purist, most primal kind can hit you like a wave… in an instant… or in a single night. He appeared in Half in the Bag: Strange Darling (2024). Love HurtsWritten by Boudleaux BryantVocals by Z Berg and Keith CarradineProduced by Joe Keefe (as Joseph Keefe) and Z BergAll arrangements and orchestrations by Joe Keefe (as Joseph Keefe)Directed by Joe Keefe (as Joseph Keefe) and Will McLellanMixed by Joseph Lorge at Sound CityMastered by Patricia Sullivan at Bernie GrundmanThis went too far. I predicted the plot twist in the first act. There’s nothing original going on here, and it borrows heavily from Tarantino’s style of breaking the film into (in this case, unstructured) “chapters.” The premise of this film is so unbelievable and so unsupported by any historical evidence that it borders on the offensive. Listen, this film was enjoyable to watch for its sheer entertainment value, but as any kind of allegory, “lesson,” or statement about the culture it so clearly tries to be, it falls flat. If anything, it manages to subvert *most* viewers’ expectations, but that’s about it. I really don’t have a lot of love for this movie, and the effusive praise comes down to three things: 1) novelty bias (younger reviewers), 2) cool filming and cinematography, and 3) great work by the entire cast. 5.5/10. The final season of What We Do in the Shadows is one of the biggest TV and streaming premieres this month. Check out our October calendar for more!
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